Film, media and related arts - subjective contemplation and commentary with consideration of the intrinsic duality, interminable relevance and evolution of each. Exhibition of original and contributed film, art, music and writings.
Thursday, March 22, 2012
I'm Still Here
Thursday, March 25, 2010
SXSW 2009 World Premiered Film - Severe Clear - gets Theatrical Release
It could be that Severe Clear is yet the most valuable artistic document to arise through the dark clouds wafting over the history of this second Iraqi war.
Severe Clear had it's world premier at SXSW 2009 a year ago and recently was picked up for a limited theatrical release. Follow the link below for release dates in major US cities.
Severe Clear is based on the memoir by First Lieutenant Mike Scotti as well as video footage shot by him and other members of 1st Battalion, 4th Marines on the outset of the 2003 invasion of Iraq. Directed by Kristian Fraga (“Anytown, USA”) and featuring a original score by Cliff Martinez (“Traffic”, “Narc”, “Solaris”) the film offers an unflinching look at the uncertainty, disorder and chaos of war from the remarkable perspective of one Marine.
Severe Clear was awarded Special Mention for Cinematic Excellence at the 2009 International Rome Film Festival, the Jury Prize at the Salem Film Fest and the 2009 Barrymore Award. Severe Clear was also featured as part of the 2009 International Documentary Association’s DocuWeeks Showcase and was an official selection at the SXSW, Big Sky, Lone Star, Palm Beach, San Diego and St. Louis Film Festivals.
The film has also been recently featured and reviewed in The New York Times, CNN, The Hollywood Reporter, Variety, The Wall Street Journal, NPR, Newsweek, Men’s Journal, Interview Magazine, Filmmaker Magazine, indieWIRE and more.
http://severeclearthemovie.com/wordpress/
Follow the link for a thorough review, and click here to view the theatrical trailer on Hulu.
This film invites an interesting comparison-study between contemporary warfare/soldier-experience and that of WWII, documented in Staff Sgt. Norman Hatch's film, With the Marines on Tarawa (featured in an earlier post). A comparison in cinematic style, as it relates to documentary filmmaking and the ever-changing domain of media and film production (as accessibility and exhibition outlets increase), would be of interest as well.
Saturday, March 20, 2010
SXSW 2010 Music Showcase - NPR Full Coverage

Wednesday, March 17, 2010
SXSW 2010 Review: Dogtooth (Kynodontas)

Writers: Giorgos Lanthimos, Efthymis Filippou
Director: Giorgos Lanthimos
Cast: Christos Stergioglou, Michelle Valley, Aggeliki Papoulia, Mary Tsoni, Hristos Passalis
Anyone who follows the film blogging world should be well-acquainted with a few names of online critics that could eloquently be referred to as “luminaries” and affectionately known as “big papas.” Two of these guiding daddies of our world played a big part in my viewing of Greece’s DOGTOOTH. James Rocchi recommended DOGTOOTH to Scott Weinberg. Rocchi recommended it to me. Both loved it. These are recommendations you cannot ignore. The film won the Un Certain Regard Award at last year’s Cannes Film Festival (which recognizes emerging and special talent at the festival). That’s another recommendation you can’t ignore. Which is all very appropriate – because DOGTOOTH is a film you cannot ignore.
(For the full review, click the post-title link)
This film screened at Cucalorus Film Festival 2009. I was at the festival but missed the screening due to schedule conflicts (you can never see as many as you would like). Everyone I spoke with, including trusted colleagues and friends, that attended the screening couldn't quite describe what they had experienced, but insisted that it was brilliant. It was the talk of the festival. This is a good sign.
SXSW Film Festival Update: Feature Documentary - American: The Bill Hicks Story

This is one of many intrigues among the accepted films for SXSW Film Festival 2010, which has been in action since March 12 and will wrap up in a few days. SXSW is one of the premier film festivals in the US, and perhaps my personal favorite in regard to independent integrity, though I have yet to attend. There is, of course, the accompanying independent music showcase which alone is well worth the trip to the republic of Texas. The reason that I have yet to comment on the festival, individual screenings, and premiers is based solely on personal bitterness - I had long planned on being in Austin for this years festival and, unfortunately, things did not work out. I have not quite recovered from the disappointment - nothing better than a week of independent film and music to inspire the mind and creative flow.